Hyperallergic - Hand-Copying the Constitution and Other Responses to Trump
Julie Wolfe, “Damage Control Observatory” (2017), found objects, digital prints and screen prints on found book pages
“For “Damage Control Observatory” (2017), Julie Wolfe, like Mary Jean Canziani, presses a found book into service, pinning its pages into a large grid on the wall and accentuating them with three-dimensional objects that could have been rescued from a riverbed (the wall label mentions “water samples taken from local and international waterways”) or harvested for spare parts on a Quay Brothers stop-motion animation...”